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Riffing off of Nikki … in Ego Tripping: I/we love you inside and throughout all of forever; knowing that even your doubts, complexities, and errors are magnificently correct.
– Dr. Thomas A. Gordon, Psychologist, November 2019

At the dawn of 2020, I’m dipping back into the expansive conversation I had with Dr. Thomas A. Gordon, recorded June 1, 2019. In my post of July 30, 2019, I promised that I’d sip again from our conversation, which lasted for more than a scintillating hour.

In the edited excerpt below, we grapple with the very idea that it’s possible to choose happiness (wreak happiness?) within the crucibles brought to boiling by oppressive people and forces, histories and systems.

Is there really a choice for folks who have been consigned to social death? Are we consigned to being happy-go-lucky in order to survive?

Gordon doesn’t shy away from what’s ugly. He orients me, in fact, toward embracing my obligations in the face of what’s ugly. He invites me to be fueled by my core freedoms of conscience, of integrity, of will.

Is choosing happiness easy? HELL-to-the-NO!

But after my conversations with Thomas Gordon, and we’ve been conversation partners since the 1980s, I come away sensing that choosing happiness is the sum of my other elemental choices:

Choosing human connections. Choosing community and morality. Choosing dignity and integrity. Choosing fulfillment and loyalty. Choosing to trust that in danger I can find pivot points towards sanity and safety and sanctity.

∞

PJH: Do we have the choice to be joyful or happy? We have the capacity to be those things in the middle of trauma or oppression. Should we be doing it in your opinion?

GORDON: The quick answer is yes, yes. It is not only possible. It is required of a conscious-slash-moral being. … If you really are awake to who you are, you have a capacity to make choices to preserve, advance, expand, transform who you are to be better than you were yesterday, irrespective of the circumstances that you’re in.

… So Frantz Fanon, the Black psychiatrist, used to say, be very very careful each day, meaning be mindful each day, of your capacity to make choices, and do not make choices that renounce your freedom. If at sunrise they’re going to hang us, I still say … no one could predict how we’re going to walk to the gallows. NO! Because you still got choices. … We all might be saying Margaret Walker’s ‘For My People’ on the first five steps. Let there be a ‘bloody peace.’ … [B]efore we go to the gallows, we [might] take out 10 people.

You can’t ever strip human beings of all of their capacity to choose, unless you take away their mind. … Unless they’re literally strung out on acid or drama! … For most of us, we have more choices than we realize. Which is what our enemy wants: us to always be unconscious. They don’t want you to realize how much power you have….

PJH: I think there’s a serious difference between happiness and being happy-go-lucky. I see happiness as everything from an enzyme to a catalyst to a quest. I think happy-go-lucky is when you’re just performing to make the money or to get safe. And maybe there are moments when you have to be happy-go-lucky to escape or something…. How would you put happiness in a political context…?

GORDON: [American culture] starts shaping people to actually Identify with themselves as the only point of reference. So you end up having a very disorientated, distracting and defeatist, self-referential-type being that can say, ‘I’m happy-go-lucky.’ Meaning I can do, willy nilly, arbitrarily, at any moment, whatever I want to do, and not really connect it or reference it to —not only a moral framework, but even a practical framework, because ‘I don’t have to. I am authorized to be self-referential ONLY!’

Now what you want is healthy people who can be self referential and moral, not either/or. … People take happiness to mean: ‘I don’t have to think. I’m so swept up in euphoria. I’m swept up in manic, euphoric pleasure, that I can therefore be not sober or mindful.’ And that’s very localized to this society. So you’ll see [someone who] didn’t think about the consequences of what he was going to say. He just exploded … and didn’t care about the consequences. Didn’t think about the ripple effects. Didn’t think that what you do now is going to affect seven generations….

That’s not what you’re talking about. You’re not talking about being independent apart from a moral framework. You’re saying deeply embedded. …You don’t want people happy-go-lucky. You want people deeply happy … grounded. Otherwise … they [ignore] consequences on other human beings and the ecology that sustains them. That’s an illusion.

∞

Epilogue: In November, I wrote Dr. Gordon a personal and professional update, owning up that I felt shadowed by some nagging doubts. An excerpt of his encouraging email, dated November 7, 2019, synchronizes his message of connection.

“As for today’s doubts, let them be navigationally instructive. There’s something there to be named and spotlighted. Doubt prompts/forces/invites us to slow down and check the journey’s invisible knapsack for compass, practical support kit, and bi-lingual flashlights.

“Doubt, like many things meant to be taken in moderation, only seems problematic until we realize it’s sharpening our real-time readiness to move and rally some folks to go to places they wouldn’t ordinarily go. …Rumbling with doubt … [means] you’re on the move.

“Doubt slows us down, as we’re about to enter unknown curves or terrain — the better for us to move more swiftly ahead.”

∞

BONUS EXCERPT from my book, Black Man of Happiness: In Pursuit of My ‘Unalienable Right,’ WINNER, 2015 AMERICAN BOOK AWARD: “…I am embracing, craving and exploring my complex humanity as an African American man. Critical celebration has guided me into nuanced self reflection and evolving curiosity about a simple, provocative question: What is a happy Black man? How does he navigate the labyrinth of life? How do I? I am a son, brother, father, grandfather. I am a lover, apprentice to wiser elders, straight man crafting brotherhood with my gay Homeboy. I am an orphan seeking affirmation after the deaths of my mother and father. I have confronted, survived, and transcended my youngest daughter’s rape by her Black step father.  A happy Black man?  I am done with surviving. I’m done with Black History Month packaging, the symbolic roll call of the heroes and the readings of their pronouncements. I’ve been ordained by anonymous, daily, often agonizing work, in search of timeless health and lasting jubilee. The Black man of happiness has blossomed. I’m hungry for the change of ball bearings! I’m ready to pour the love packed in honey. I am ….” www.blackmanofhappiness.com/shop

Photo by Darrell Fields

Earlier this year, I was removing the last of some 50 boxes from a storage unit.

Finally, after losing my house to foreclosure in 2014, I felt haunted by a question of renewal:

What will I live for?

For five years, other questions, reflecting anger, frustration, and despair, had been pissing me off:

What the hell are in these boxes? Why didn’t I just let them all go and move on?

But then I found treasures, emotional and administrative, that viscerally reminded me why I scrambled every month to keep paying Public Storage.

I found photos of my children. I found love letters. I excavated more than 10 years of PAID LA County tax bills. I fingered pages of correspondence to the Maryland child support agency and trembled holding documentation of my years-long financial contributions to my kids’ support after divorcing their Moms.

Flooded with emotion, I found even more reasons to keep my head to the sky.

I blew dust off the layout boards for my book of Kwanzaa tales, Wherever Dreams Live; I fingered the design flats for Genetic Dancers, the magazine “for and about the Artistry Within African/American Fathers.” I held in my hand evidence of consistent cultural work during the 1980s.

Next I found plastic containers holding tapes of me reading poetry at The Getty Center, and other venues around LA during the 1990s. Just reading the labels, I could hear the  echoes of poets blending voices, often in the Inspiration House PoetryChoir format, which demanded we improvisationally respond to each other and to virtuoso musicians playing with us. At our best, we transformed readings into ceremonies, into mini rites of passages!

Ultimately, I found cassettes and CDs recorded at KPFK-FM while I produced and hosted Inspiration House: VoiceMusic for Whole Living, the weekly poetry-music radio show that held down Mondays, 10-11 p.m., from 1999 to 2004. That show, in fact, set the framework for the PoetryChoir format.

Coughing through dust, reclaiming my life, and ignoring my aching back, I knew it was time for an LA Resurrection!

∞

It was easily 2 am. My oldest brother Glenn had come home from his ramblings. He entered the room we shared. Glenn is eight years older than me, and back in 1973 he was our family’s official hippie, living a life about as far from 9 to 5 as he could get. I was already asleep, but I could hear him firing up his turntable and amp. After he dropped the needle, the speakers blasted Buddy Miles’ LA Resurrection. To say that music woke me up is laughable! I actually wanted to strangle Glenn. I cannot recall if he lowered the volume, or even played the song to its resolve. But close to 50 years later that song still jumpstarts me!

∞

Frederick Douglass wrote in his Growlery. I wrote, lived, loved and lost in my Inspiration House, my actual cottage in one of LA’s urban canyons, where I picked tangerines from the tree growing in the sloped backyard; where I sheltered my daughter after we put her criminal ex-stepfather in jail for rape; where on any given equinox I gathered with musicians, poets, dancers, and community servants of all kind, from all cultures, speaking languages of all kinds, swapping their humanity, and scarfing home-cooked greens and potato salad prepared by VKali, my sister from another mother!

∞

But I can’t let Inspiration House simply conjure sentimentality about a specific home (or even poetry readings). It’s a concept, a personal mission and vision, that opens my spirit to (re)starting my future. It helps me remember I’m a ‘miracle wrapped up in human flesh’ worthy of rolling up my sleeves (my pants pulled up YEARS ago), and learning from my experience, intellectual stamina, task-oriented concentration, entrepreneurial leaps of faith, and creative productivity, while always walking the talk of that proverb my father used: Say what you mean, mean what you say, then do what you promise!

I lost the crib but I didn’t give up then, and I aint giving up now. Recently I wrote my son and daughter: “I am still angry that I lost my LA house to foreclosure after living in my crooked cottage for some 15 years. I am not paralyzed. I know my home was made of wood and stone, and that I will have another home in my future. Yet I still struggle … after all the time, ideas, money, taxes, sacrifices, friendships, love, pain, and pleasure that I’ve invested here, after arriving with you guys in 1991. I truly wanted to keep my home and then pass it on to y’all. So – deepest truths be told – I’m not a blank slate emotionally and financially.”

∞

These are year-end meditations from a mature African American man grappling with changes and challenges in life. I’m on the trail of natural beauty, riffing about happiness, joy, beauty, aging, and the importance of creativity and imagination in a well-lived life.

My quest is to live a default style of collaboration, so that across all platforms – former jobs, contracted work, and community collaborations, former wives, lovers, and extended family – folks don’t need truth serum to describe me (flaws and all!) as trustworthy, ethical, collegial, candid, responsible, accountable, competent, curious, reliable, and a valuable asset to whatever mission is at hand.

∞

Brain researcher V.S. Ramachandran was asked in a TV interview about a critical skill necessary to envision, then fully participate in the crafting of a satisfying life. Ramachandran’s ‘best answer’? “Creativity. Metaphor. Poetry” … and collaborating with “people who have a poetic mind, and people who are passionate about what they do, who think of life as a grand adventure….”

∞

On the Metro recently, I watched this African American woman twist a black balloon into the shape of a dachshund for a Latino boy, who gazed in awe as the sculpture came to life. Before giving the child his gift, the woman asked the mother and father for permission. When they nodded yes, the boy cradled his new pet. Faces shined. Simple, uplifting pleasure reverberated among the quartet of strangers.

And one smiling witness, who’s on the move again!

And it’s starting to feel good.

People get ready there’s a train a coming!

∞

BONUS EXCERPT from my book, Black Man of Happiness: In Pursuit of My ‘Unalienable Right,’ WINNER, 2015 AMERICAN BOOK AWARD: “… Last Will & Testament of Peter J. Harris (To Be Executed Over My Dead Body): When I reach the end, I want my ‘homegoing’ ceremony to be a house party! I mean it! Whoever officiates, however it is officiated, let’s turn up the music, let’s clap hands, let’s dance, let’s parade, let’s live! One person in attendance, or a thousand, let’s exhale in common humanity. Forgive me if I’ve clutched any grudges to my grave. Pass on any wisdom I ran up on along the way. Choose a song (breath, gesture, moan) over a speech. And keep any speeches timed as if folks got to head back to work…. So, here it go, yall, starting with my own Overture: I lived my life seeking stylish equilibrium between perspiration and celebration. Each day, I tried to be a valuable participant in any encounter or experience, from the smallest and most randomly anonymous, to the most intensely formal, scheduled and socially ritualized. Each day, I tried to express myself, ask questions, listen without prejudice, search for more humane ways of connecting and collaborating with folk, protection of the vulnerable, justice in the evolution of my society, and respect for individuality within community. If I worked it right, my absence will conjure a frangrance specific enough to make everyone from my closest intimates to professional colleagues, say, ‘This individual right here!’ before launching into a flashback that uniquely describes how our paths joined up in a memorable way, in a way that changed us both for the better. And left us refreshed and ready, always ready ….” www.blackmanofhappiness.com/shop

Walking the beach. Listening to Ashford and Simpson. I found a cure!

A stunning realization flooded my spirit as I danced like nobody was watching on the shore of the Pacific Ocean, as I dipped in time to the elegant duo’s dance-floor bass line and the calming echo of undulating waves.

This F-bomb dropping, poetry-loving, gray-haired grandfather walks a round-the-way illuminated path!

I’ve been on this path since walking the sidewalks of my youth in Southeast D.C.!

I was set on this path of right living by the marching orders of anonymous men and women of dignity, hard-working guardians confident in the facts of their urban lives built on rural gumption, governed by truths elemental as proverbs, consecrated by a foundational truth forged from their tribulations:

As long as you alive, keep your eyes on the prize, your shoulder to the wheel, do what you gotta do until you get what you want, sing, dance, gather, argue, own up, show up, show out, but remember one humbling and magisterial article of faith:

He May Not Come When YOU Want Him, But The Lord IS ALWAYS RIGHT ON TIME!

∞

I can smell Daddy’s roses. Planted in the small rectangle of earth beside the walkway to our crib on 5^th Street, where we moved when I was 16. It was my parent’s first house after years renting apartments.

Each petal carpeting our walk way honored … Vintage mothers who lived aloe vera lives. Timeless fathers who blazed trails smell like eucalyptus. Neighbors who lined their footsteps with salve. Baby sitters whose touch promised salvation. Teachers who squirted nourishment from their larynx.

From that strip of concrete, I stepped into my future with history as my homeboy, grounded by the wisdom and fragrance of flowers hand-tended without chemicals. I sought what’s sacred, hoped for what’s sacred.

And you know I listened for what’s sacred, bopping to an ever-widening mix tape from music sourced from around the world: Milton Nascimento; Pete Escovedo; Omar Sosa; Sufi whirling dervishes.  

My journey still beckons, so I can only hope my work will forge a rep that releases wisdom and fragrance from my cocoon of anonymity.

But wherever my round-the-way illuminated path takes me, whatsoever I run up on, I know it’s got to be funky!

And for sure it will represent a truth elemental as a proverb: I talk like I’m from somewhere (you know) … I talk like I’m from somewhere.

∞

Like I’m From Somewhere

I don’t mind you hearing
the echo of oceans when I speak
surf droning/offshore misting/grit itching
years of California
will do that to a voice

I don’t mind you wondering
if I got the South caked on my palate
Virginia swaying/Maryland grinning/Florida thickening
Atlantic Seaboard bloodlines
will dictate to a sensitive tongue like that

I don’t mind you debating professors
etched their philosophies on my wisdom teeth
Howard pledging/U.C. trembling/FAMU stepping
walking different yards
can make footnotes slant down
the ramp of my mouth like that

but I don’t want you confused
cocking your ear & asking me
“repeat that please”
cause I’m speaking like maybe I haven’t tasted
pork rinds & TruAde sodas or sugarjones apple cobbler
or spent time in the kitchen of a rural Baptist church
while my aunts & sister cousins turned
fresh produce & dead meat
into meals for fall revivals

I don’t want you taking me for some
sandpapered college graduate chose booklearning
over the cornbread-filled story telling
float into the shade trees covering the mouths
of men & women who never did migrate
up D.C. up Baltimore up Philly or
points higher on the compass

I want you to know I been somewhere
that I got some sense in my head
but somewhere I got sent with the blessings
of chicken fryers/truck drivers/automotive magicians/
grizzled rabbit farmers/factory-line men/lullaby-fingered
babysitters & other Christian relatives
always had my back
even when they didn’t know my particular zipcode
at a particular time or whether I was quoting somebody
after clearing my throat or telling my own Anacostia
story at family reunions held under laughing green leaves

I want you to know I been somewhere
but I want you to know
I aint never really left either

I talk like I’m from somewhere (you know)
I talk like I’m from somewhere


∞

BONUS EXCERPT from my book, Black Man of Happiness: In Pursuit of My ‘Unalienable Right’: “…During my last visit with Pops, in the 93 Christmas/Kwanzaa season, he glowed because I was home, along with my teenaged son and daughter. When it came time for that December 25th meal, he was overjoyed…. As folk laughingly fixed plates from the buffet, daddy sat beside me on the sofa. I could smell that he’d been tasting the corn liquor his older brother supplied from our family’s rural Stomping Grounds in Powhatan, Virginia. I resisted my gut reaction to dis him for drinking, because it conjured arguments, inappropriate sexual innuendo, and a smell I associate with unhealthiness. Instead, with a deep breath centering me in the holiday sprit, I affectionately palmed the back of his head, put my arm around his shoulders, and waited for my turn at the table.

“Peter,” he said, his voice slurred more with emotion than the liquor, “I’m so happy that everybody could be here.”

Then he said to me under his breath, his voice this time slurred more with the liquor than emotion:

“Look at that ham! Just look at it! Hacked to pieces! Goddamn it! Can’t nobody never carve it right.”

I had forgotten this pet peeve of his; after all, I been a vegetarian since 79. But as long as I’d known him, he really did get pissed, his country-boy chef’s eye really was violated, the elegance of his holiday table really was ruined, if you chopped chunks, rather than cut slices, off a ham or turkey. Especially if he’d been tasting!

But this wasn’t the time nor place for his Gemini-ass to trip off into his growling, evil twin.

“It ain’t nothing but dead meat, no way,” I cracked, playfully punching his shoulder. “Go head over there and cut it up right, if it’s messing with you so much.”

“Naw, naw, it’s too late now. It’s already been fucked up. I’m leaving it alone.”

He gazed once more at the sacrificial ham. Checked out his loved ones enjoying themselves and settled back into the sofa with an expression of simmering contentment. In the end, the pull of our ritual was irresistible. He was satisfied with having spoken his peace — which was only right, according to the psychic Man of the House Manual by which he lived. But finally he was, I believe, glad to just groove on the sounds of enjoyment after a life of work and raising a family. Sitting pretty for a country boy with no formal education and nothing saditty about him. He would reach 69 the hard way — one anonymous day at a time. He was happy….” www.blackmanofhappiness.com/shop

Photo by Adenike A. Harris

“Alright, this is it!” the woman shouts into the pulsing silence as Donny Hathaway resolves his rubato prelude on electric piano.

Before Donny plays the next note, folks begin clapping in time to a song that hasn’t technically even begun yet.

Donny is then, like, ushered into his song The Ghetto by clapping SO. ON. BEAT. that the ecstatic audience morphs from paying customers into a magic carpet of rhythm for Donny’s velvet voice and exhilarating piano solo.

I can just think of this musical moment on Donny Hathaway Live, and I emanate a sense of joy! In fact, on a recent walk, while listening to this recorded moment, I smiled so fiercely that a dude walking toward me blossomed as he smiled when we got close enough to make eye contact and exchange a head-bobbing nod.

Such moments remind me to keep radiating on my journey, because at some point in every day I can shout, or feel, ‘alright, this is it!” as a prompt to work harder to resolve personal drama, as a prompt to work with more savvy to help constructively shape society’s atonality.

Alright, this is it! Remember to … be a better family member!

Alright, this is it! Remember to … do my part for social justice and ethical living!

Alright, this is it! Remember to … LIVE SO. ON. BEAT. that I provide a magic carpet of rhythm for some kind of new world symphony!

∞

Awight, awight! I’m busted again, savoring another one of my imprinting cultural classics. And I truly DO wish my life was as synchronized as the perfect set list, the perfectly meshed medley of my favorite songs.

What is life but a quest for synergies? Sacrosanct moments strung together into a rosary made from our own liberating memories?

But go ahead choose what awes you into consciousness.

What keeps me awed?

That I persistently choose to live with the sensitivity and poise of an anonymous woman whose voice was recorded in the early 1970s, a witness listening so intently to Donny Hathaway’s music that she could hear the on-coming locomotion of the Love Train.

She shouted all aboard — so seamlessly in time, within the silence between notes — that she became a timeless catalyst.

∞

Where were you when you just KNEW that history was being made? When you just KNEW that unconditional love was unveiling itself in your presence?

In whose presence were you when a needed revelation knocked you to your knees?

Who made you cry with testimony sounding like a hymn to your mother?

When did you feel healing write a song for you?

What makes you shout, ‘alright, this is it?’

And you know the answer to another of Donny’s elemental questions: Where is the love?

And you raised a glass in synch and celebration with Madam Shirley Horn’s gentle toast: Here’s to Life?

BONUS EXCERPT from my book, Black Man of Happiness: In Pursuit of My ‘Unalienable Right’: “…I’m on, like, a Drive About to the Giant Sequoia National Monument in Kern County, about 200 miles north of LA…. Was in between jobs. Bank account was on life support. My nerves were frayed. Worry was my lover. I needed nature. Read in the AAA mag about Sequoia Monument’s majestic ability to rejuvenate. No cell phone service. A drive into peace of mind…. Now I was on the final stretch toward the park. Mountain road. Mountain vistas. No other vehicles. CD playing Shirley Horn’s “A Time for Love.” I’m driving up this hill as the song begins to resolve in an amazing Johnny Mandel arrangement. Strings shimmer in crescendo, joined by Shirley Horn’s piano and Wynton Marsalis’ trumpet, just as I reach the crest of the hill. Oh my God! The view expands and the horizon is filled with rolling, cloud-covered hills. The music fades. I burst out laughing. I burst out crying. Turn off the player and continue my drive in grateful silence. Circumstances back home hadn’t changed. But I have. I’m a witness to a commanding serenity. I’m uplifted by a commanding serenity. I’m humbled by a commanding serenity. Go head on, brother, it promised. Maybe not triumph, just yet. But go head on and see what the end’s going to be….” www.blackmanofhappiness.com/shop

“…Our blood lines and soulforce are the same and we have a common fate – what happens to one happens to all….” – Herb Boyd and Robert L. Allen, Introduction to Brotherman: The Odyssey of Black Men in America – An Anthology

Answering my adult son’s call meant flying into two Florida hurricanes, both elemental, one emotional, the other swirling wind and rain.

My first-born was confronting and handling a critical family challenge. He needed his Pops to join him within the eye of his storm. Hurricane Dorian was the unexpected backdrop of my visit. A perfect storm was demanding that he cultivate the calm of Smokey Robinson, and that I demonstrate the dedication of an R&B Classic.

Oh yes, I’ve loved this boy through all seasons.

From home birth, when I was 22 years old, my beard scraggly, my fro huge and fragrant, on through my divorce from his Moms, with all its transcontinental reverb, since I moved from east to west coast in an effort to make a new life with a new love.

Now my son has teenaged daughters, and I’ve entered the early years of my elderhood. I remain a Poet in love with all the man he is, has been, and stands poised to become. He’s a Navy vet. A tech executive with a major health organization. A gun enthusiast, who proudly shows me 20 safety certificates on the wall of his home office.

He’s a grown man with a restless intellect, curious imagination, and wounded spirit. And he called me to be with him for a concentrated month-long stay in his home.

∞

Fathering for all seasons is never ‘comfortable.’ But braving and choosing the discomfort of healing is the ultimate in grown-folks’ work! Ain’t no wreaking happiness if a Black man of happiness is scared to dive into the elemental work of being daddy to a grieving child.

One morning, about a week into my visit, homeboy asked me to spot for him as he lifted weights. I said yeah but I didn’t know how to actually spot a weight lifter. He had me straddle his lower torso and face him, just in case I had to grab the bar in an emergency. He lifted the barbells off the rack. Just hearing him grunt triggered my rescue instinct. I grabbed one end of the barbell, threw him off balance, and the weights on one side of the bar crashed to the floor, almost landing on my bare-feet.

I told you I was clueless!

After our initial shock, and him shouting, ‘Pops what the …?’ I learned a safety protocol: when he lifts solo, he does not lock the weights. That way, if the weight overwhelms him, he can angle the bar to allow the circular weights to slide off the bar.

Heavy lifting is no joke!

Fortunately, we escaped injury. I laughingly dashed to put on my sneakers. And we added another story to our menu of flashbacks we could tell his daughters on the drive home from school.

∞

Emotional weight lifting, you better bet it, demands you don’t get crushed. Our heavy lifting has also included deep, often painful, conversations surveying the past, capped by lingering hugs goodnight. We have debated the merits of providing national health care. We’ve listened, problem-solved, gone grocery shopping, visited the arcade with my granddaughters, attended a rousing concert by Charlie Wilson, of Gap Band fame, and even had two impromptu activities that included his mother, my ex-wife, who lives nearby: In one, I joined a planning session that harmonized some of her bill-paying options they were reviewing. In another, we played robust and competitive rounds of Sorry!, the board game that I used to play with my own mother!

Such soulful participation, courageous participation, has guided my flow since I flew into the storms. Focused participation. Taboo-free participation. And I’ve said to my beloved homeboy that I’ll weather any and all discomfort in the quest to contribute to his recalibration.

He’s even owned up that if he could wave a magic wand (and I’ve even been reading the box set of Harry Potter novels while here!) I would move from California to Florida. Indeed one his critiques of me is that my long years in LA have contributed to his emotional distance and his silences, his patterns of silences over the years, and doubt that he could call on me as an OG (Original Genius), when he needed to talk about personal issues in his life, his marriage, or about being a father.

Yet in certain crises, like this current one, he still blows up my phone, bends my ear, or puts out the Daddy Bat Signal – and I’m on the scene ready to rumble with him for righteous outcomes.

And my fundamental message and response over the years?

If you can call me when the shit hits the fan, then we’ve long ago established a formative trust. If you can call me in crisis, then you can call me in celebration, or as you sense life veering off course, so that we can brainstorm together about ways to KEEP SHIT FROM HITTING FAN!

Also, as a student of The Blues, I have long told him that SHIT WILL HIT THE FAN, so it behooves us as adults, as dynamic grown folks on life’s epic journey, to cultivate the capacity to respond with grace in service of living our best lives, including the pursuit and capture of our happiness.

∞

We must relentlessly be in the world for each other, our kids, regardless of their ages. We must learn how we can spot each other, so we’re strengthening our muscles of love. We must also forge and feed the fire of healing and honesty and resiliency.

My son continues to face fallout from his circumstances. Riding this storm with him will continue to be one of my elemental family fulfillments. My hope is that the resilience I’m witnessing, and the testimony I’m hearing, will soon have him bouncing back until he’s fully back in stride.   

PS—Wreaking Happiness celebrates its official one-year anniversary with this meditation in honor of my first child, born September 30, 1977. He gave birth to a life-long season of sacrifice, joy, pain, and instruction for me! I remain humbled by the miracle of our lives together.

∞

BONUS EXCERPT from my book, Black Man of Happiness: In Pursuit of My ‘Unalienable Right’: “…When I think like an administrator (and not a grandfather), I hear philanthropic, governmental, and other societal voices of expertise, who all publicly and absolutely value the importance of […] so-called ‘soft’ tools for 21^st Century young folks…. How do we teach young men these tools? That’s the crux, for me…. How do we impress upon them that being real over a successful lifetime requires ‘soft’ skills…? So- called ‘soft’ skills are the raw materials you will need to establish a personal power and integrity that allow you to fully participate in healthy human collaborations. Wielding your so-called ‘soft’ skills will reveal that you value yourself and deserve healthy human collaborations. Will position you (with loved ones, on jobs, via whatever platforms) to write common codes, create open sources, and generate a vibration of all good that keeps your head to the sky, even if you’re only howling in pain at the full moon. Talking to my grandson, listening to my grandson, I am full with the understanding that there’s nothing soft about full participation in the heroic exchanges and teachable moments in which we find ourselves working with young men. Whether those exchanges take place in living rooms, in classrooms, in workshops, at rec centers, sideline at the playground, at the extended family’s holiday meal, there’s nothing soft about the work necessary to teach a brother how to trust intentions, know wisely, concentrate deeply, love simplicity, develop fortitude, build stamina, and accept excitement and curiosity as catalysts for new angles, supple thinking, leaps of associations, and vocabularies of possibilities. It’s not possible to be a child of the future without the vitality that imaginative Inner Resources bestow on us…. But don’t wait until you’re in crisis, I’m trying to tell him…. [T]his is heavy lifting, son. This is heavy lifting. Sometimes, my man, getting happy means you got to get ugly like a singer possessed by the music….” www.blackmanofhappiness.com/shop

“… art that matters to us – which moves the heart, or revives the soul, or delights the senses, or offers courage for living… – that work is received by us as a gift is received.” Lewis Hyde, from The Gift: Imagination and the Erotic Life of Property [Introduction, xii]

To stay sane and inspired, to energize my community-building, to remember and believe, I give myself regular R&B Transfusions!

To cultivate my ecstatic insights, my ability to see beyond even the ugliest social moment, I keep myself on a time-released drip of classic anthems of love and hope and encouragement and unity and service and dedication to themes, principles, and causes bigger than my own short-term hungers, vexations, and political overload.

Rolling up my sleeve, I’m jolted to attention by, say, the democratic question asked by the group War in Get Down:

“Tell me people/what would you do/if the running of the world/was all left up to you?”

Well, I’d always leave room for joining forces in ethical cross-cultural collaborations. Brave the work of building coalitions. Align myself with those in the crosshairs of unjust power.

I’d duet with Al Green in my quest for Love & Happiness.

I’d shoulder-to-shoulder with The Isleys to help grow a Harvest for the World.

I’d holler giddy-up love riding the rhythm of Smile Happy.

But hold up, before you accuse me of pimping nostalgia, check out these next two quotes to get at the sacred social DNA of what I’m grappling to say.  

“… the way the voice is used, the way instruments are held and played, the way instruments sound when played, the way an audience responds in a contemporary concert, the way in which a performer has dialogue with audience, all can be traced to the African American worship tradition created within the Black church…. Its expressions are drawn from a culture whose music operates as a phenomenon far beyond entertainment categories….” – Bernice Johnson Reagon, We’ll Understand It Better By and By: Pioneering African American Gospel Composers (The Wade in the Water Series) [pages 3-4]

“…The danced rituals of rebellious colonized peoples would probably not, after all, have seemed so strange to a medieval European carnival rebel or, for that matter, to one of the sixteenth-century German Anabaptists who danced triumphantly through the streets of Munster until more orthodox Protestants subdued them.” Barbara Ehrenreich, Dancing in the Streets: A History of Collective Joy [page 175]

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So no, I’m not saying that we’ll be saved by actual songs, but I am absolutely claiming that we can benefit from the necessary renewal, the definite uplift, unleashed by the impulse driving the creation of songs that have become ‘gifts’ sung across generations.

Yes sometimes songs crafted to storm the charts and make money. But yes yes yes songs crafted by musical genius to help us wade in the waters of beautiful struggle; yes yes yes to the danceable reverb such songs have provided for thousands of citizens who risk lives and treasure for democratic ideals.

Wade with me in memory infused with a robust through-line of creative and strategic  grappling with inhumanity, or illuminated by a vital through-line of community-making.

A periodic R&B Transfusion opens me to my most honest emotions. Shows me power eyes inflamed w/doubt can witness. Dresses morning sky in crimson when I pray. Spreads moss under my feet when I dance after sunset’s call. Grants me 3 wishes, and promises one million more when blood washes up on shore!

How to stay on the front lines of this life without the infusion of ecstatic insights welling from the well-wrought phrases and passionate singing of an R&B Classic? The deep pocket of the virtuoso band? The fabulous dedication to perfect harmonies behind a lead singer praising love in falsetto testimony? 

My R&B Transfusions help me risk the inspirational, work the inspirational, without being naive.

Keep me alert for contemporary examples of community. A Black Joy Parade?

Keep me open to human possibilities.  To Live In Love?

BONUS EXCERPT from my book, Black Man of Happiness: In Pursuit of My ‘Unalienable Right’: “… A happy Black man, given our American journey, is the last laugh of American history. Given our American journey, he’s the very embodiment of the most pristine ideals of free thought and free speech, if he claims his inner ‘conceptual space….’ Originality makes me happy. Stylishness makes me happy. Boldness makes me happy. Distinctiveness makes me happy. Virtuosity makes me happy. Honesty makes me happy. Ceremonies make me happy. Laughter makes me happy. Peaceful conversation, testimony that sounds like music, trash talking suspenseful as classic literature, storytelling so mesmerizing it evokes and invokes ritual, dancing across a traffic-clogged avenue, gesturing and pontificating during a game of bid whist, theatrically sending off a loved one after a well-lived life, standing when sitting’s easier, insisting, believing, refusing, shouting, surviving, realizing that I can draw on an amazing cultural capacity to keep my head to the sky … all that energizes me, sets the devotional standards for me, keeps me plugged into the resilience that snakes up and down our historical spines … rooted in my whole human self, my whole emotional self, from grief to genuine rage, from awe to unexpected ingenuity….” www.blackmanofhappiness.com/shop